跟著真愛去旅行

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▼妻子雙手插腰對女店員咆哮（左圖），場面火爆。

許多網友看完影片後，紛紛留言大罵：「垃圾夫妻，不怕丟臉？」、「店家還沒收你錢就在耍奧？」、「餓死鬼投胎嗎」、「肉搜出來看多大尾」、「一把年紀了還像屁孩」、「知道要排隊，排不下去換家就好了」、「老闆辛苦了」、「素質也太低，店員下跪還不夠嗎」、「過幾天他們出來道歉，又會說我們夫妻有躁鬱症」。



Wang Wen-hsing is an internationally renowned modernist writer who has long been regarded by Taiwan writers as a bellwether of literary aesthetics. His reputation rests on his devotion to an innovative literary language and writing style, demonstrated primarily in his novels. His persistent pursuit of an ideal style has challenged standard aesthetic views of Chinese literary language and conventional reading strategies. He views writing much as he does painting, music, or any other art form: while acknowledging the importance of content, he foregrounds the form. His fictional works, therefore, are not only pieces of creative writing but also creative artworks; each word and sign should be appreciated like a musical note in a song or a brush stroke in a painting. This ideal pushes him constantly to search out a more precise method to describe a specific subject, and each new method he develops is added to the reservoir of Chinese rhetoric. Due to his peculiar approach, he writes extremely slowly. During the past three decades, he has been able to write only thirty-some characters a day. To date, he has published twenty-three short stories, one novella, three novels (the second novel is in two volumes), one one-act play, three volumes of essays, and numerous poems, prose works, translations, and pieces of criticism.

王文興是台灣文學現代派的代表作家。王文興以獨特的語言風格，聞名於文學界，他對文學藝術的忠誠，數十年不改其志，廣受國內外學界和文壇的崇敬。由於其千錘百鍊的創作手法，王文興的寫作速度極其緩慢，近三十多年來維持一天三十個字的紀錄。直至目前他的著作包含了二十三個短篇小說，一個中篇，三部長篇（第二部有上下兩冊），一篇獨幕劇，三本散文集，和諸多未集結成冊的散文、詩歌、翻譯以及評論文章。王絕非多產作家，但作品篇篇如同精雕細琢的藝術品，耐人品味。其高度實驗性的寫作手法，挑戰讀者的閱讀，但又回報以無以倫比的美感享受。在華文文學的世界，獨樹一格，散發出璀璨的光芒。



真愛橋鄭至航

其中，有網友透露：「這間牛排館的老闆不錯很有禮貌~東西也不錯吃~無奈遇到這種咖小搗亂...」讓不少人紛紛為老闆抱不平，掀起熱議。

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